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Linguistic choices can be an artistic or cultural statement for Japanese musicians
by Ian Martin

Special To The Japan Times
May 30, 2013

On May 14, singer-songwriter Satoru Ono released a vinyl single titled “All My Colours.” Anyone who knows Ono’s work would have found themselves on familiar ground with the two tracks, in their mix of 1980s U.K. indie and ’90s Japanese neo-acoustic pop, delivered with a classic pop craftsman’s hand.

The difference is that Ono’s back catalog has been predominantly sung in English, while these new tracks feature him singing in his native Japanese for the first time.

The English lyrics often found in Japanese music can sometimes seem baffling to native English speakers. When sung imperfectly (which is often the case), I find listeners tend to think of them as either charming or annoying. However, for Japanese musicians, this linguistic choice can be a serious one, with both cultural and artistic implications.

the rest at:
Linguistic choices can be an artistic or cultural statement for Japanese musicians | The Japan Times
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Takarazuka: Japan’s newest ‘traditional’ theater turns 100
by Mark Buckton

Special To The Japan Times

Ask your average Japanese person or non-native Japanophile to name a “traditional” form of domestic theater and the classics such as kabuki and noh would feature prominently. Bunraku puppetry may even get the odd mention, particularly in its ancestral home of Osaka.

Few, however, would name the theater genre that fills more audience seats every year, day in and day out, than any other in the land.

That form of theater is Takarazuka — or Takarazuka Revue, to give the musical theater troupe its formal title. For most, this stage entertainment named after the provincial town in Hyogo Prefecture where it started, and is still based, is about little more than glitz and glamour, songs and dance, clouds of grand-finale ostrich feathers, women playing women — and women playing men. At least that’s the popular stereotype.

In reality, to any fan of live theater, Japanese or not, Takarazuka — even with all the pomp and costume changes near the end of a show — is just as deep, and as historical in many of the works it stages, as male-only kabuki or noh.

[...]
wanna read the whole? douzo:
Takarazuka: Japan's newest 'traditional' theater turns 100 - The Japan Times

and here the interview ith the curent top star Reon:

Star Troupe’s top otokoyaku star speaks out

keyword: “We have long researched men, and as a result of the long, thoughtful and in-depth analysis of what makes a ‘man,’ we can portray that perfect man,” she opined, before intriguingly appending: “The fact that we are females ourselves is another advantage.”

this makes it sometimes comical~ but it also creates damn cool women like Amami Yuki!

ex-Takarazuka women are wonderful ♥
clara_maria_home: (Default)
but this article, although pointed at the scandal about Minegishi shaving her head, outlines pretty much what I can't stand about certain kinds of fandom:

AKB48′s Minegishi Minami’s Public Shaming: Rebutting The Excuses
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The Taisho Era: When modernity ruled Japan's masses

By MICHAEL HOFFMAN
Special to The Japan Times

"Democracy is so popular these days!" — "The Democracy Song," 1919

One hundred years ago this week — on July 30, 1912 — Emperor Meiji passed away and Japan, traveling blind and hardly knowing where it was going, entered a new age.

The Taisho Era (1912-26), sandwiched between the boldly modernizing Meiji Era (1867-1912) and the militarist tide of early Showa (1926-1989), deserves more recognition than it gets.

Taisho is Japan's Jazz Age. Can it be summed up in a phrase? It often is: ero-guro-nansensu — eroticism, grotesquerie, nonsense.

...
read the rest at: The Taisho Era: When modernity ruled Japan's masses | The Japan Times Online
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I still feel weird when I think about last march. sometimes I think it was a weird dream. I know very much what kind of anger Nara-san meant when he worked n those figures. sometimes the sadness & the anger comes back. especially when I talk to people who didn't learn anything. sometiimes just because I was and still am helpless. coward. that's a word sometimes popping up in my mind.

Yoshitomo Nara puts the heart back in art | The Japan Times Online:


"To be honest, for the six months after the quake, I couldn't make anything — not sculpture or painting," Nara says.

Asked to elaborate, he explains that the disaster made him question art's role.

"If I had been a singer or comedian, then I could have just stood up in front of people and given them joy. But with art, it's different. Art is something you can enjoy once you've got your life back in order, once you've got enough food to eat," he says.

Nara eased back into his creative work only after realizing that making sculpture, which is more physical than painting, might prove therapeutic.

"I couldn't make pictures on a blank canvas, but I found I could confront a mass of clay," he says. "I wouldn't think about it with my mind. I would just attack it, like in sumo, with my body."

Thus Nara's response to March 11 gradually fell into line with his original desire to remind viewers that his works were personal, and not the product of a machine or theory. He would sculpt in clay with his body, and then use the resulting shapes to make molds from which he could cast sculptures in bronze.

In the current exhibition, those sculptures fill one gallery, and they are as expressive of their subject matter — heads of young girls with the usual enigmatic expressions — as they are of the sumo-like tussle by which they were made.

They are covered in hand and finger marks. Often you can see where the artist has scraped his hands across their surface in what appears to be an angst-filled swipe.

full article @ Yoshitomo Nara's "No Nukes Girl" joins the protest
clara_maria_home: (Default)
this is a column I really am fond of. I learn a lot, about kanji, society and Japan - this time it's educational as well as funny again - like you know, it's a bout comedy and the reason Japanese peole don't laugh in public... O_o... mah, whatever, Arashi is in this article - even if it isn't really worth mentioning, I am in fact a bit proud, they start using them instead of SMAP - but on the other hand, SMAP are really no boys anymore and hardly do any variety besides their own shows...

You think you're funny, but really you're not | The Japan Times Online
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this old man is so lovely!!

[...]
Work is a duty. No matter what the job is, once we choose that profession, we must stick to it and do it as well as humanly possible. Same with marriage: Once our destinies have connected us, we should work on our relationships till death do us part.

True love lasts. I respect and love my wife so much. I had to beg her for three years to marry me. I suffered a lot to convince her that I was the man for her. I took her to places she loved even though it was mostly a pain for me: museums, classical concerts and dance parties. It was the toughest assignment I ever had and it's still not over. I am still working at it daily! We've been together every day for 42 years, and I never want to be without her, ever

Ondagumi president Chuya Onda | The Japan Times Online
clara_maria_home: (Default)
Happy Thanksgiving ^__^ here's my present and share:

What's wrong with talking a little turkey? | The Japan Times Online


I never ever celebrated it - not that I'm not thankful for MANY thinks - but it isn't a feast or something like that here in Germany and I guess I never will (only if a nice soul living on the other side of the ocean is willing to cook and invite me ^O^)...*blows kisses*

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